In Masafer Yatta, our camera can be stronger than the bulldozer


At a screening in At-Tuwani, we realized our film isn’t just sharing our story with the world, but showing our people how we are fighting for change.

Screening of ‘No Other Land’ in At-Tuwani, Masafer Yatta, occupied West Bank, March 14, 2024

On the evening of March 14, we set out 350 chairs in the courtyard of the school in At-Tuwani, in the Masafer Yatta region in the West Bank, preparing for a larger crowd than had ever been assembled in the small village. As people arrived — three full buses from Tel Aviv and Jerusalem, with dozens more people coming by car — the seats filled up quickly, with many having to sit on the ground or stand in the back to get a peek.

These guests had come to see the film, “No Other Land,” produced by Basel Adra, Yuval Abraham, Rachel Szor, and myself. The film was our attempt to give people insight into the realities of our lives in Masafer Yatta: the constant onslaught of Israeli state and settler violence, and the toll it takes on us; everyday moments and interactions with our families; and the complicated relationships we Palestinians navigate with those who come here to support and resist alongside us.

In one scene from the film, the mother of the late Harun Abu Aram — a Palestinian resident who was shot and paralyzed by Israeli soldiers while they confiscated his generator — laments the constant presence of journalists and cameras in her makeshift home, coming to photograph her disabled son. They take photos, she says, but what help are they actually offering? What are they doing to change Harun’s, or his family’s, situation?

The film is our attempt to answer that demand: to take the camera, and the years of documented protests, demolitions, and violence, and do something to change the lives of the people of Masafer Yatta. And indeed, the film has had an international impact. We completed the project in late October, and as the world turned its eyes to Palestine, we felt a sense of urgency, to show audiences what was really happening on the ground.

We thus submitted the film to the Berlinale festival, where tickets for all four screenings sold out on the first day. It was proof that people believed our story was important, that they wanted to learn about Masafer Yatta. I never imagined that our story would travel so far away and be seen by so many people. We ultimately won the Best Documentary and the Audience Choice awards.

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