Older books – The Arts: Fiction/Poetry/Photography
This page contains details of books previously listed on the Most Recently Published Books page. Books are listed in alphabetical order of the author. All the books were published in 2011 or later.
THE ARTS – FICTION/POETRY/PHOTOGRAPHY
Susan Abulhawa: Mornings in Jenin (2011)
Refaat Alareer (ed.): Gaza writes back: Short stories from young writers in Gaza (2014)
Eli Amir: Yasmine (2012)
Grace Beeler, Joan Dobbie & Alicia Ostriker: Before there is nowhere to stand: Palestine/Israel: Poets respond to the struggle (2012)
Anna Bernard: Rhetorics of belonging: Nation, narrative and Israel/Palestine (2014)
Shani Boianjiu: The people of forever are not afraid (2013)
Kamal Boullata: Between exits: Paintings by Hani Zurob (2012)
Henry Ralph Carse: Walls: Photographs of Israel and Palestine (2011)
Michelle Cohen Corasanti: The almond tree (2012)
Selma Dabbagh: Out of it (2012)
Aidan Andrew Dun: Unholyland (2012)
Khaled Furani: Silencing the sea: Secular rhythms in Palestinian poetry (2012)
Sahar Khalifeh: Of noble origins: A Palestinian novel (2012)
David McDonald: My voice is my weapon: Music, nationalism and the poetics of Palestinian resistance (2014)
Emma McEvoy: The Inbetween people (2012)
Raba’i al-Madhoun: The lady from Tel-Aviv (2013)
Trevor Mostyn (Ed.): Reading Palestine: A literary guide (2013)
Harvey Pekar & J.T. Waldman: Not the Israel my parents promised me (2012)
Sara Shilo: The falafel king is dead (2012)
Olivia Snaije & Mitchell Albert (Eds.): Keep your eye on the Wall: Palestinian landscapes (2013)
William Sutcliffe: The Wall (2013)
S. Yizhar: Khirbet Khizeh (2011)
Ghassan Zaqtan: Like a straw bird it follows me: And other poems (2012)
Publisher’s description: Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin and exiled from the ancient village that is their lifeblood, the family struggles to rebuild their world. (…) Mornings in Jenin is a devastating novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime.
Publisher’s description: A compelling collection of short stories from fifteen young writers in Gaza, members of a generation that has suffered immensely under Israel’s siege and blockade. Their experiences, especially during and following Israel’s 2008-2009 offensive known as “Operation Cast Lead”, have fundamentally impacted their lives and their writing. Indeed, many of these writers saw the war as a catalyst for their writing, as they sought an outlet and a voice in its aftermath. They view the book as a means of preserving Palestinian memories and presenting their own narratives to the world without filters. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world’s most embattled communities. (Some of the stories also take us with courage and empathy into the imagined world of Israelis living just on the other side of the great barriers Israel has built in and around Gaza and the West Bank to wall the Palestinians in.) These stories are acts of resistance and defiance, proclaiming the endurance of Palestinians and the continuing resilience and creativity of their culture in the face of ongoing obstacles and attempts to silence them.
Publisher’s description: “I’m an Arab Jew. I listen to classical music in the morning and Arabic music in the evening.” Surprisingly for someone so young, Nuri Imari (whose family we encountered in The Dove Flyer), is appointed advisor on Arab affairs to the Israeli government. With little guidance he is asked by his boss to “set up an office in East Jerusalem, sniff around to see what’s happening there, meet their effendis, and provide me with your evaluations.” Everyone is reeling from the aftermath of the Six Day War. The Palestinians cannot comprehend their losses, whilst the Israelis are waking up to a new political reality – and new responsibilities. Nuri discovers complexities and loyalties he could never have imagined. He tries to steer a humane course but soon finds himself confronting bigotry and hatred on both sides. And then he meets Yasmine, a Palestinian woman recently returned from Paris…
Publisher’s description: in 2009, the editors, Joan Dobbie and Grace Beeler, both Jewish descendants of Holocaust survivors, reeling against the atrocities of Israel’s Operation Cast Lead, the Gaza massacre, issued a call for poetry. The ad, first posted in Poets & Writers read, “Are you Jewish or Palestinian? Of Palestinian or Jewish heritage? Please submit poetry for an anthology that strives for understanding in these troubled times. All points of view wanted in the belief that poetry can create understanding and understanding can dull hatred.” In response, the process that then followed embodied much of the complex dynamic of the conflict itself. Editors, while not wanting to foreclose any possible reading, were met with the need to attend to disparity of voice, asymmetry, and incongruence of historical awareness.
Reviews: none yet available.
Publisher’s description: The crisis in Israel/Palestine has long been the world’s most visible military conflict. Yet the region’s cultural and intellectual life remains all but unknown to most foreign observers, which means that literary texts that make it into circulation abroad tend to be received as historical documents rather than aesthetic artefacts. Rhetorics of Belonging examines the diverse ways in which Palestinian and Israeli world writers have responded to the expectation that they will ‘narrate’ the nation, invigorating critical debates about the political and artistic value of national narration as a reading and writing practice. It considers writers whose work is rarely discussed together, offering new readings of the work of Edward Said, Amos Oz, Mourid Barghouti, Orly Castel-Bloom, Sahar Khalifeh, and Anton Shammas. This book helps to restore the category of the nation to contemporary literary criticism by attending to a context where the idea of the nation is so central a part of everyday experience that writers cannot not address it, and readers cannot help but read for it. It also points a way toward a relational literary history of Israel/Palestine, one that would situate Palestinian and Israeli writing in the context of a history of antagonistic interaction.
Reviews: Electronic Intifada
Publisher’s description: Yael, Avishag, and Lea grow up together in a tiny, dusty Israeli village, attending a high school made up of caravan classrooms, passing notes to each other to alleviate the universal boredom of teenage life. When they are conscripted into the army, their lives change in unpredictable ways, influencing the women they become and the friendship that they struggle to sustain. Yael trains marksmen and flirts with boys. Avishag stands guard, watching refugees throw themselves at barbed-wire fences. Lea, posted at a checkpoint, imagines the stories behind the familiar faces that pass by her day after day. They gossip about boys and whisper of an ever more violent world just beyond view. They drill, constantly, for a moment that may never come. They live inside that single, intense second just before danger erupts. In a relentlessly energetic and arresting voice marked by humor and fierce intelligence, Shani Boianjiu, winner of the National Book Foundation’s “5 Under 35,” creates an unforgettably intense world, capturing that unique time in a young woman’s life when a single moment can change everything.
Publisher’s description: Between Exits is organised chronologically to offer the reader a comprehensive insight into Zurob’s key paintings and series of the past two decades. Painter and writer Kamal Boullata takes the reader through Zurob’s art and carefully reveals how each body of work, created in changing periods of the artist’s life, reflects evolving approaches to the understanding of self as well as strategies of collective belonging which the artist’s work constantly probes. The conflicted Palestinian identity is mediated and questioned recurringly throughout Zurob’s works and Between Exits thus addresses the notion of movement and displacement that are central to the Palestinian everyday reality. Hani Zurob’s practice provides an important voice in contemporary Palestinian culture, as well as a significant contribution to the creation of an Arab aesthetic. Ultimately though, while Zurob’s art gives powerful expression to the Palestinian collective experience, it can also be seen in the context of more universal themes of personal identity and embraces humanity beyond the Palestinian context.
Publisher’s description: Henry Ralph Carse is a pilgrim, scholar and practical theologian who has lived in the Middle East for forty years. His beautifully composed images strike a democratic balance between the Israeli and Palestinian cultures. People and places are recorded at crucial moments in the ever-changing disposition of a land in turmoil. Carse’s photographs have a charged immediacy and, at times, a philosophical stillness. They are the photographs of an outsider being absorbed into the fabric of another life. In his introduction Carse writes: “…no one has ever built a wall that could entirely protect the innocent, punish the guilty, separate pure from impure, or thwart the human gaze.”
Reviews: Huffington Post
Publisher’s description: A moving story of family, identity and struggle skilfully told by a very exciting new author. A novel set in the midst of turbulence and written by an author with a real understanding of life on both sides of the Israeli/Palestinian conflict. With a promising mind that impresses the elders in his village, where family and cause are more important than individual dreams, young Palestinian Ichmad Hamid struggles with his inability to help those who are closest to him. Living on disputed land, his entire village operates in constant fear of losing their homes, jobs, and belongings. But more importantly, they fear losing each other. On Ichmad’s twelfth birthday, that fear becomes reality. With his father imprisoned, his family’s home and possessions destroyed, and his siblings succumbing to hatred, Ichmad begins an inspiring journey to save his desperate and dying family. In doing so he reclaims a love for others that was lost through a childhood rife with violence, and discovers a new hope for the future. In writing The Almond Tree, Michelle Cohen Corasanti drew upon her personal experience of living in Israel for many years as well as her education in Middle Eastern studies, both in Israel and the US..
Selma Dabbagh: Out of it (Bloomsbury, 2011, paperback, £12.99)
Publisher’s description: Written with extraordinary humanity and humour, and moving between Gaza, London and the Gulf, Out of It is a tale that redefines Palestine and its people. It follows the lives of Rashid and Iman as they try to forge places for themselves in the midst of occupation, religious fundamentalism and the divisions between Palestinian factions. It tells of family secrets, unlikely love stories and unburied tragedies as it captures the frustrations and energies of the modern Arab World.
Publisher’s description: Unholyland is a love story in 264 sonnets. Against the background of daily events in Israel and the West Bank, an Israeli DJ meets and falls in love with a Palestinian rapper. In form, Dun’s verses are a mixture of classical structures and free-ranging rap. They are earthy and immediate, and as well as appealing to regular poetry readers, Unholyland will attract a wider range of people who will be drawn along by the rapidly developing story.
Publisher’s description: Silencing the Sea follows Palestinian poets’ debates about their craft as they traverse multiple and competing realities of secularism and religion, expulsion and occupation, art, politics, immortality, death, fame, and obscurity. Khaled Furani takes his reader down ancient roads and across military checkpoints to join the poets’ worlds and engage with the rhythms of their lifelong journeys in Islamic and Arabic history, language, and verse. (…) Poetry, the traditional repository of Arab history, has become the preeminent medium of Palestinian memory in exile. In probing poets’ writings, this work investigates how struggles over poetic form can host larger struggles over authority, knowledge, language, and freedom. It reveals a very intimate and venerated world, entwining art, intellect, and politics, narrating previously untold stories of a highly stereotyped people.
Reviews: Electronic Intifada
Publisher’s description:The Qahtan are a Palestinian family that claims to have originated in the Arabian Peninsula, descended from the family of the Prophet Muhammad. This connection has given its members a certain ascendancy in their society, and has influenced their cultural and political choices. The true test occurs when the Qahtanis, like other Palestinians, confront two enemies after the First World War: the British Mandate and the Zionist movement. Observing the gradual and increasing illegal Jewish immigration and land appropriation, the Palestinians come to realize they have been betrayed by a power that “fulfilled their promises to the Jews and reneged on their promises to the Arabs.” Sahar Khalifeh brings to the forefront the inner conflicts of Palestinian society as it struggles to affirm its cultural and national identity, save its threatened homeland, and maintain a semblance of normalcy in otherwise abnormal circumstances.
Publisher’s description: In My Voice Is My Weapon, David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing “resistance” in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world’s most contested humanitarian issues.
Reviews: Middle East Media & Book Reviews
Publisher’s description: ‘I am writing this for you Saleem. I am writing about us, about how I loved you, and how I killed you.’ As Avi Goldberg, the son of a Jewish pioneer, sits at a desk in a dark cell in a military prison in the Negev desert, he fills the long nights writing about his friend Saleem, an Israeli Arab he befriended on a beach one scorching July day, and the story of Saleem’s family, whose loss of their Ancestral home in 1948 cast a long shadow over their lives. Avi and Saleem understand about the past: they believe it can be buried, reduced to nothing. But then September 2000 comes and war breaks out – endless, unforgiving and filled with loss. And in the midst of the Intifada, which rips their peoples apart, they both learn that war devours everything, that even seemingly insignificant, utterly mundane, things get lost in war and that, sometimes, if you do not speak of these things, they are lost to you forever. Set amongst the white chalk Galilee Mountains and the hostile desert terrain of the Negev Desert, the inbetween people is a story of longing that deals with hatred, forgiveness, and the search for redemption.
Publisher’s description: In the economy class of a plane, the lives of two passengers intersect: Walid Dahman, a Palestinian writer, is returning to his family in Gaza for the first time in thirty-eight years, and Dana Ahova, an Israeli actress, is on her way back to Tel Aviv. As the night sky hurtles past, what each confides and conceals will expose the chasm between them in the land they both call home. The Lady from Tel Aviv is both a meditation on the nature of fiction and an incisive exploration of the effects of occupation on a people and what it is to be a Palestinian. Al-Madhoun’s precise, poetic use of language and sardonic humour bring home political realities and how people live them, on both sides of the checkpoints.
Publisher’s description: Reading Palestine: a Literary Guide looks without prejudice at Israel-Palestine through the eyes of writers from biblical times to the present day, allowing the region to come alive through the pens of such diverse personalities as Napoleon Bonaparte, Gustave Flaubert, Lord Curzon, T. E. Lawrence, Sacheverell Sitwell, Linda Grant and Howard Jacobson. With thematic introductions and explanatory notes, the selection includes Jewish, Christian, Muslim and secular writings as well as the contrasting narratives of Israeli and Palestinian identity. (…) This book encompasses the intellectual and social dimensions of the conflict, including the foundations of Zionism and the modern growth of Palestinian culture. But it also looks way beyond the conflict to look at fiction, poetry, costume and family life. From the architect of Zionism Theodor Herzl to modern Palestinian thinkers such as Edward Said, it explores opposite viewpoints and national loyalties. In works of the imagination it includes the writing of myriad and sometimes unexpected authors such as Mark Twain, Noel Coward, Mahatma Gandhi and Winston Churchill. Much more than another account of the conflict, this book gives voice to both Israeli and Palestinian writers as well as those from outside the region. It considers Palestine’s long and much-mythologized history, its landscapes and cities and the way in which it has inspired generations of writers, artists and thinkers.
Reviews: none yet available
Publisher’s description: This gripping, comi-tragic fictional–factual saga takes place in the environs of Jerusalem, from late Ottoman times to the establishment of the State of Israel in 1948. With the colorful strokes of his pen, Ibrahim Nasrallah paints a vivid picture of Palestinian villagers’ preoccupations and aspirations—their ties to their land, to their animals, and to one another. Through the experiences of Hajj Mahmud, chief elder of al-Hadiya, his son Khalid and his beloved steed al-Hamama, and other memorable characters ranging from the heroic to the villainous, we relive the realities of the Palestinian village in the early twentieth century, Zionist colonization and its impact on Arab rural life, the trauma that accompanied the British mandate and its aftermath, the Palestinians’ struggle to maintain the autonomy and dignity they had known for centuries on end, and the beginnings of life under the Zionist state.
Publisher’s description: Harvey Pekar’s mother was a Zionist by way of politics. His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents. In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents’ unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy.
Publisher’s description: The town has lost its famed falafel king, but the Dadon family have also lost a father and husband. Living with the daily threat of Katyusha missiles from neighbouring Lebanon, and struggling to survive amid the rubble of their lives, Simona and her three children each find their own way of coping with their grief, their fear and their hopes. Raw, lyrical, shocking and moving, Sara Shilo’s powerful debut novel recounts the life of an ordinary Israeli family over the course of a single, extraordinary day in prose that we have never before encountered in contemporary Hebrew literature.
Publisher’s description:Keep Your Eye on the Wall brings together seven award-winning artist-photographers and four essayists, all responding to the Wall in images or words, specially commissioned for this book. The photographers present unique perspectives, whether documenting the journey of labourers across the barrier, the desolation of abandoned checkpoints or the tattered posters of “martyrs” on a wall in Gaza. Mitchell Albert and Olivia Snaije envisioned a book that would curate a selection of wall graffiti past and present, from the great names in the form to young Palestinians who sprayed their initials by the people whose lives were most affected: Palestinians themselves.
Reviews: none yet available
Publisher’s description: Joshua is thirteen. He lives with his mother and stepfather in Amarias, an isolated town on top of a hill, where all the houses are brand new. At the edge of Amarias is a high wall, guarded by soldiers, which can only be crossed through a heavily fortified checkpoint. Joshua has been taught that beyond the concrete is a brutal and unforgiving enemy, and that The Wall is the only thing keeping him and his people safe. One day, looking for a lost football, Joshua stumbles across a tunnel which leads towards this forbidden territory. He knows he won’t get another opportunity to see what is beyond The Wall until he’s old enough for military service, and the chance to crawl through and solve the mystery is too tempting to resist. He’s heard plenty of stories about the other side, but nothing has prepared him for what he finds… The Wall is a novel about a boy who undertakes a short journey to another world, to a place where everything he knows about loyalty, identity and justice is turned upside down. It is also a political fable that powerfully evokes the realities of life on the West Bank, telling the story of a Settler child who finds there are two sides to every story.
Publisher’s description: This 1949 novella about the violent expulsion of Palestinian villagers by the Israeli army has long been considered a modern Hebrew masterpiece, and it has also given rise to fierce controversy over the years. Published just months after the end of the 1948 Arab-Israeli War, Khirbet Khizeh (…) was an immediate sensation when it first appeared. (…) The various debates it has prompted would themselves make Khirbet Khizeh worth reading, but the novella is much more than a vital historical document: it is also a great work of art. Yizhar’s haunting, lyrical style and charged registration of the landscape are in many ways as startling as his wrenchingly honest view of one of Israel’s defining moments. Despite its international reputation, this is the first UK publication of Khirbet Khizeh.
Ghassan Zaqtan: Like a straw bird it follows me: And other poems (Yale University Press, 2012, paperback, £9.99)
Publisher’s description: In this inspired translation of Like a Straw Bird It Follows Me, Ghassan Zaqtan’s tenth and most recent poetry collection,along with selected earlier poems, Fady Joudah brings to English-language readers the best work by one of the most important and original Palestinian poets of our time. With these poems Zaqtan enters new terrain, illuminating the vision of what Arabic poetry in general and Palestinian poetry in particular are capable of. Departing from the lush aesthetics of such celebrated predecessors as Mahmoud Darwish and Adonis, Zaqtan’s daily, delicate narrative, whirling catalogues, and at times austere aesthetics represent a new trajectory, a significant leap for young Arabic poets today.